On Beauty. Take Two.
Things That I Have Seen and Liked
Things That I Have Seen and Liked
Of Sheep and Cold Coffee
'That was a joke,' he said. 'You can laugh.'
"'Yeah, it's no big deal,' he said casually. 'The main thing I have is this thing called man-bi-du-lo-facial dys-os-tosis – which took me forever to learn how to pronounce, by the way. But I also have this other syndrome thing that I can't even pronounce. And these things kind of just morphed together into one big superthing, which is so rare they don't even have a name for it. I mean, I don't want to brag or anything, but I'm actually considered something of a medical wonder, you know.'
He smiled.
'That was a joke,' he said. 'You can laugh.'"
Sometimes you pick up a book and you read it and it's really late at night and probably you should be going asleep but you cannot stop reading and then it's 3am and you've finished the whole book in a 4 hour time period and you feel suddenly bereft. That's what happened to me when I read Wonder last Friday night.
I loved it.
It's a simple premise that follows a well-proven formula: disadvantaged main character overcomes great odds to triumph in the end. It could have been a little saccharine, cloyingly filled with over the top cliches, making the main character into a saint in order to illustrate the horror of the world around him, and, given that it's aimed at children I kind of worried that's what would happen. It doesn't. What this book does is tell a compelling story very effectively, it's honest and it's real and it's both moving and humorous. It's kind of a little like Curious Incident...; it's wonderful.
August Pullman is ten. He was born with a severe facial disfigurement ('I won't describe to you what I look like. Whatever you're thinking, it's probably worse.') and after being home-schooled his whole life he's about to start school. He's used to the negative reactions to his appearance: the shock, the stares, the fear but being used to it doesn't make it hurt any less, especially not when you're ten years old and all you want to do is watch Star Wars and hang out with your friends. Auggie wore a pretend astronaut's helmet for two whole years when he was smaller just so people couldn't see him; he doesn't want to be invisible though, he just wants to be ordinary.
The story is deftly and cleverly told through short chapters and the switching points of view of August, his older sister Via and a couple of his peers, a good narrative choice by Palacio I think; it really works. The short chapters keep the story focussed, stop it from getting carried away in the minutiae and keep the reader feeling like they're right there, living the life of a ten year old. It's fast paced because Auggie's life is fast paced. The switching of the narrative stops the story from holding Auggie front and centre and makes him what he wants to be: one of the crowd. It also effectively shows not only how he feels about how he is perceived but how he actually is perceived, and, perhaps more importantly the impact that being connected to Auggie Pullman can have on his peers.
His relationship with his sister, and, her story generally is particularly well handled. The thing I liked I think, is that nothing is sugar coated and, everybody - Auggie included - is flawed. There's a wonderful scene where he has a temper tantrum and storms off to bed, wondering and wondering why nobody has chased after him to comfort him like his Mum always always would. Via yells after him, 'not everything is about you Auggie' and it just demonstrates so well the dynamic between these two characters and their parents, perfectly illustrates the effect that being older sister to a boy who has had 27 surgeries in his short life, who is special can have because some days, to Via, it seems like everything is about August, and that's hard. The advantages that August has, particularly in the form of the treatment he receives from his parents, are readily apparent; it's hard not to feel for Via as much as you feel for Auggie, and it's equally hard not to be moved by the ferocity of her love for him.
It's a harrowing read at times, I'm not going to lie: August Pullman does not have it easy and there's one scene where he cries, 'why am I so ugly, Mommy?' and it just made my chest tighten.
What? I'm not crying, there's a tree in my eye.
Jen found the ending to be patronising. I can see why, although I can think of more patronising books [yes, the boy in the striped pyjamas, I am looking at you. Jen do you remember how angry we were at that book?!] and yes, I guess, the ending is the weakest part of the book, and it did feel a little much maybe, like Palacio was tying up the loose ends and trying to make sure the reader really really got the message [which I had, from the start actually] but it didn't take away from the rest of the book for me and let's be real here: a below par ending can ruin a book for me quite easily. I guess though, this book is aimed at children and I think perhaps it's pitched just right for them; it could have ended differently and it could maybe have ended better but above all what we have here is a book that matters.
A book that I would give a healthy 9/10 because yes, it's harrowing and it's emotional but it's also kind and it's inspiring and it's really quite extraordinary; it makes you want to wrap every single character in your arms and hug the life out of them; it makes you want to be kinder, and better; it makes you feel and it makes me want to say to people, young and old, 'you should read this book.'
Consider the Hairpin Turn
I don't read a lot of poetry. I read some, but not a lot. I should probably read more. The stuff I do read is ususally thrown at me by Jen with a 'JO YOU HAVE TO READ THIS' and I do read it and usually I love it and think 'hmmm, I should read more of this,' but then I don't because I'm never quite sure I understand much about poetry other than that it's pretty. And maybe that's the problem; maybe I need to accept that I can love poetry just because it's pretty and I don't need to try and understand it on a more intellectual level because isn't that the point, really, to draw pleasure from the words you read?????
-You are Jeff, Richard Siken
Anyway.
The point is that most of the poetry I read is recommended to me, but, I've stumbled across a collection all by my own self [proud Mama moment for you there, Campbell. ha.]
It's by Richard Siken, it's called Crush, it won the 2004 Yale Series of Younger Poets competition and I am in serious serious book love, and not just because it's pretty.
It is pretty, so much so that it hurts, just there just right, but it's also just really incredible. I'm not going to try and give some kind of wonderfully eloquent review because like I said, I don't know much about poetry other than I like how it makes me feel. I just, I liked this book and it made me want to write that down, for posterity: in May 2012 Jo liked this book.
The foreword says that this is a book about panic. I'm not going to argue with that, after all, what do I know and to be honest I kind of understand the sentiment but, for me at least, it's more than that; it's a book about love, I think. Deep love, real love, painful love, unrequited love and requited love, love that hurts in the way that love does and it's beautiful and raw and it just gets under your skin and stays there. And it makes you think.It's the kind of book that just gets you, right in the chest, something that has happened to me before with prose but never I don't think, with poetry. The emotion in some of these poems is palpable and I kept going back, reading and re-reading, making notes of parts that I wanted to quote and then I got to the end and realised I might aswell just type out the whole book and so maybe just maybe I am a poetry girl after all.
This book gave me goosebumps, from the opening poem 'Scherazade'
['...how we rolled up the carpet so we could dance, and the days were bright red, and every time we kissed there was another apple to slice into pieces.']
through pieces like 'Saying Your Names' and 'Wishbone' and 'Boot Theory', and the 'Snow and Dirty Rain' and through the whole first stanza of 'A Primer for the Small Weird Loves'
['...you know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unless he keeps his mouth shut...']
it gave me goosebumps and it made me think and it made me feel and if you do nothing else this week, this month, this year then read this book, just, find a copy if only so you can read the wonderfully wonderful 'You are Jeff' [see above] and then tell me it doesn't move you in a way you can't explain.
Do it, because you might never hear me talk about poetry this way again.
And that is all from me, for now. I leave you with this, from 'Wishbone' which is one of my favourites, I think.
You don’t, I say, you don’t owe me squat, let’s just get going, let’s just
get gone, but he’s relentless,
keeps saying I owe you, says Your shoes are filling with your own
damn blood, you must want something, just tell me, and it’s yours.
But I can’t look at him, can hardly speak,
I took the bullet for all the wrong reasons, I’d just as soon kill you myself, I say.
Weird Things Customers Say In Bookshops
Weird Things is chock full of perfectly comedic exchanges between bookseller and customer, and I mean chock full and what makes it better is that these stories all took place in bookshops: in TheEdinburgh Bookshop where Jen was a bookseller whilst at university, in RippingYarns which she runs now [both of these shops are amazing. I can tell you that from experience] and in bookshops all over the world – from England to New Zealand to the USA, people say Weird Things in bookshops the whole world over and the best of them are collected here, in a pretty pretty package for you to read from cover to cover or to dip into at will, to chuckle about to yourself or to share with friends.
You may consider this a recommendation.
the list
- first words
- old books
- Dirty Dancing
- kittens
- bruises
- pencil drawings
- tattoos
- alice in wonderland
- laughter
- hammocks
- coffee
- puddles
- courage
- red hair
- rollercoasters
- letters
- cat paws
- crows feet
- over-sized jumpers
- smiles
- tears
- scars
- rainy mornings
- storm clouds
- gingerbread
- patchwork quilts
- streetlights
- quiet
- the sound and the smell and the feel of the sea
- old photographs
- hips
- autumn
- anger
- old coca-cola bottles
- sorrow
- puffins
- songs
- my Mum
- eyes
- sunsets
- the insides of wrists
- freckles
- you. you, always you.
- sunflowers
- pebble beaches
- lakes
- my grandpa’s smile
on beauty
I have had earache for 4 days and something that keeps threatening to be flu but that isn’t man enough to make good on it’s threats, for a week. It’s dark when I wake up in a morning and it’s dark when I leave my office at night. I am busier than a busy person, like really. I have no money. Currently, life is not my favourite. I am more than a little grumpy.
I decided, not wanting to wallow in a vat of my own self pity because it tastes like cold coffee (and not coffee that’s supposed to be cold, like iced coffee. I like that. I mean coffee that’s been on your desk for an hour longer than you thought, that you take a big f*ckoff mouthful of expecting it to be hot when it’s actually beyond cold and tastes vile) that I had two options:
Option 1. I could write something suitably angsty.
Option 2. I could cheer the hell up.
I’ma go with option 2 because you know what, when I actually get a grip and look around me and I am surrounded by just, by beauty and that’s something to be celebrated right?
& I’m sat here and I’m thinking about just that.
About beauty.
What is beautiful? What makes us beautiful? And I don’t just mean in an ‘oh that’s pretty’ kind of way, I mean on a deeper level than that. Think about the things in life that really really move you. The ordinary and the extraordinary, the usual and the not so usual. The things that whilst not perhaps conventionally beautiful just creep under your skin and stay there, the things that matter, that directly or indirectly shape the bigger (beautiful) picture and make it all worthwhile, that scream emotion and tell a story and make things what they are. Not just cupcakes and flowers and new shoes but heartbreak and thunderstorms and the old man at the Cenotaph on Remembrance Day with a poppy in his lapel; the things in life that are really really beautiful.
This is going nowhere.
You know what I’m going to do? I’m going to make a list of things that I think are beautiful so that whenever I’m tired or I have earache or it’s cold and I have no gloves or the pile of work on my desk seens insurmountable I can look at it and I can smile because people should take more notice of the beautiful things.
(and then I’m going to go and write something suitably angsty.)







