Showing posts with label ishiguro. Show all posts
Showing posts with label ishiguro. Show all posts

Throwback Thursday: Josephine's Book Edition



HAPPY WORLD BOOK DAY PEEPS.

Today is making me happy because Twitter and Facebook and the streets I drive down to get to my office have all been full of small children dressed up as their favourite character from a book and I just think that’s kind of excellent. There’s a lot of Roald Dahl around this year, which is excellent and I saw the cutest Mad Hatter this morning, God. The son of a friend of mine has dressed up as Mr Rush and he looks excellent. I’m just loving it a whole lot.

In addition to WBD, this week also seems like Ishiguro week, don’t you think? I get that, that’s a bandwagon I am well and truly on because I have been excited about Ishiguro’s new book The Buried Giant (which was released on Tuesday) for the longest time. Seriously, so excited. SO EXCITED. I also have a copy because my boyfriend is excellent and knows that whilst the way to his heart is for defs through his stomach, the way to mine is through books.

So, let’s Throwback this Thursday shall we? It seems obvious this week, in light of the publication of The Buried Giant to talk about Ishiguro, and if I’m going to talk about Ishiguro then obviously I’m going to talk about Never Let Me Go because that book guys and gals, that freaking book.


Never Let Me Go wasn’t the first of Ishiguro’s that I read – that was When We Were Orphans - ­ ­but it’s absolutely my favourite. In fact, I think I’d even go so far as to say it owns a spot on my list of Top Ten Books of All Time, I loved it that much. It’s also been adapted into a really excellent film – although Ian would tell you differently ‘it’s so fucking bleak Jo, what is wrong with you?’  Which, yep, it is kind of bleak. It’s also kind of amazing. It's the best thing and it's the worst thing and just, it will make you feel all the things. It will.

I first read Never Let Me Go in 2011. It kind of blew my mind, the beauty of it, the careful execution, the use of language, all of it, it just left me sat there once I’d finished it unable to think anything other than ‘wow.’

I try not to use the word ‘perfect’ too often, but I kind of feel a little bit like it wouldn’t be out of place to use it here: I can’t think of a single thing wrong with that book, not one.

It’s so damn clever and so damn good, the charcterisation is spot on, the story is told at just the right pace and in just the right voice, and in the way things are held back and slowly revealed just right when kind of makes you feel like Ishiguro is playing with you a little bit. (Such a tease that guy, I love him.) & it makes you feel, and by ‘feel’ I mean it throws you head first in to a kind of almost suffocating pit of despair.  Yep, this book hurts in the hurtiest of ways.



It’s kind of billed as sci-fi, which, if you’re desperate to box it then science fiction is a label that fits I guess, but more than that its kind of a study of human nature, of ethics and morals and the choices we make. There’s a lot here that will make you think, that will make you look closely at the world as it is today, that will make you study your own self and there’s a really insightful look at love and at loss and at betrayal and forgiveness. Also you know that old adage of ‘show don’t tell’ that I have talked about a lot of times (I did an OU course in creative writing, it stems from that) well, this book is a masterclass in that and it’s so subtle all of the time, so subtle but so powerful. It’s pretty mesmerising actually and once you start it, well you just can’t stop. There’ll be no eating, sleeping, living your actual life for a while, so you know, be prepared for that.

I’m aware there are probably people out there that haven’t read it, which makes me reluctant to write too spoilery a post because, for me at least, a lot of the wonder of this book comes from the not-knowing much more than you get from the blurb. 


Part of the beauty of the whole thing comes from Ishiguro’s slow unravelling, from the things you come to learn as you get deeper and deeper in, that hit you like a smack to the chest and leave you gasping. If I tell you what those things are now, then you’ll likely lose some of that magic. Pretty much all you need to know, really, is that this book is haunting and achingly achingly sad and incredibly beautiful and that it will stay with you, I think, for a long long time. And really, if you haven’t read it then you absolutely should. You should.



I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever


Exciting March Releases

I'm posting this from my phone as I am currently in a fight with both Firefox, my browser of choice, and IE which I hate and which won't load anything ever. The Internet and I are not friends right now. So, if there's dodgy formatting or whatever, I'm reals sorry. Also there's no pretty pics in this post as that is way beyond my capabilities and there might be the odd dogy autocorrect - I can spell really. Mebbes I'll come and pretty this up later. We'll see.

So, I have a lot of blogging to do over the next few days. I feel like I should apologise for any kind of blog-post-overload that may happen, so in advance, if you feel like I am spamming you with book talk this week, I really am sorry.

Right now, I want to share with you some of the books I’m excited for in March (how is it March already. Golly!) most notably of all the new Ishiguro. 

You have no idea how excited I am about The Buried Giant. Me and the rest of the world I think, if Twitter and the blogosphere are anything to go by. There’s a lot of Kazuo Ishiguro talk all over the place right now because release day is TOMORROW. I’m so excited and a little nervous and so excited. It’s Ishiguro’s first novel for lots of years and it sounds excellent: it’s set in the Middle Ages and there’s talk of dragons and ogres and a quest and I cannot wait to get my hands on it. I loved Never Let Me Go, as in, it’s one of my favourite books of all time levels of love. I pretty much shoved that book down the throats of everyone I knew when I first read it, I was kind of forceful in my ‘you have to read this’ and I know that The Buried Giant isn’t going to be like Never Let Me Go, just like it’s not going to be like The Remains of the Day, and just like it’s not going to be like When We Were Orphans, but I’m kind of spiralling anyway, because Ishiguro man, Ishiguro.

In addition to The Buried Giant, I’m also quite excited about this little lot:

The Walls Around Us by Nova Sen Ruma will be released on the 24th – from Goodreads:

The A to Z of You and Me by James Hannah sounds lovely. And like it’s probably going to hurt a whole lot, in a way not dissimilar to the way Queenie hurt. Ivo’s in a hospice.  To keep him occupied his dedicated nurse suggests a game: Ivo has to list his body parts alphabetically and associate a memory with each one, which in turn unravels the story of Ivo’s life. It hurts already. I’ve heard good things about this one, and I’m really looking forward to giving it a go. It’s out on March 12th.

HausFrau ­– Jill Alexander Essbaum (March 26th) is a spectacularly pretty book. Seriously, I am in love with this cover. It sounds like something a little bit different too, which I am all about this year. My horizons, I am expanding them. HausFrau tells the story of an American expat, living in Switzerland with her husband, she’s fairly unhappy with her life there, adrift from her husband, her children, the people who try to be her friends and she finds herself engaging in a string of affairs. A modern day Madame Bovary is what I’m hearing; a strangely hypnotic, and remarkably captivating portrait of a woman on the edge. It just sounds really…interesting. I’m interested

Emily St John Mandel who wrote Station Eleven which I bought last month has her back catalogue released in the UK this month. The Lola Quartet, The Singer’s Gun and Last Night in Montreal. They all sound really good, and, if Station Eleven is as good as I’ve heard it is, I’m pretty sure I’ll be getting my hands on these lovelies as soon as I possibly can. They look pretty too, which always helps.

A while ago I read the first three books in The Parasol Protectorate series by Gail Carriger. They were fun books, kind of like The Vampire Diaries in Victorian times. WHAT IS NOT TO LIKE. Anyway, Gail Carriger has a new series: The Custard Protocol, the first book of which (Prudence) is released on March 19th. It’s set in the same world as Parasol – hurrah – and it sounds like fun times: I cannot wait. & I should probably read books 4 and 5 of Parasol in preparation. They’re on my Kindle after all.