It's about a year I think, since I read The Perks of Being a Wallflower, [you can read my review here if you missed it at the time] and it's a book I still find myself thinking about lots so I approached the film adaptation with a little trepidation. I've had my heart broken too many times I think, by books I love being turned into films and never quite measuring up [The Golden Compass, I'm looking at you for a start] and I actually toyed with not going to see Perks because the book is so good, and I was just so scared and I have maybe been known to get a little ragey just once before. The problem with Perks was that the book blew me away, and it's still so raw and so real in my head, how was that ever going to be transposed onto the big screen; how could anybody ever do it justice?
They did do it justice.
In actuality, the film far exceeded my expectations. It was just so good, so good. It made my chest tight and it made me smile and it made me tear up in the same way that the book did - a lot of this has to be because Chbosky was so heavily involved; I had a little chuckle during the opening credits, his name just kept appearing on the screen over and over and over again, it felt almost like a one man show and I'm glad because nobody knows and loves these characters and this story like he does, I'm so so glad he kept such a tight hold on his babies because he made it work. A lot of the time I get annoyed because due to the nature of the beast, when you're adapating a book for screen, things have to change: things are cut and things are re-ordered and it's never ever the same but here it felt right, like, we were essentially told the same perfect story just in a slightly different way, like it was designed work with the book. Does that even make sense? I am on a caffeine high today. Probably not.
Also? Genius casting is genius.
Logan Lerman was perfect as Charlie, like actually perfect; he played that part so perfectly and I just wanted to hug him and never ever let him go. He was just like the Charlie in my head which is quite the achievement and, because Lerman pitched every line perfectly, nothing was over played, nothing was too much or not quite right, he just was, and some of the subtleties to his performance, particuarly towards the end were so powerful that they hurt. Alongside that, Ezra Miller and Emma Watson were equally believable as Patrick and Sam and God, some of the moments they shared on screen with Lerman were just so beautiful; the acting in this film was incredible, so much was said in little gestures and facial expressions -the way they look at Charlie sometimes was almost too much. Ezra Miller was amazing as Patrick, his pain was so raw all of the time and yet he still managed to steal the scenes with his comic timing; funny funny funny. Miller really got under the skin of Patrick, who I adored in the book and to watch him gradually fall apart, it was hurty.
And then Emma. I came away from the cinema unsure if she was my Sam, probably because I'd gone into it expecting to make comparisons to Harry Potter and it took a while to get out of that headspace, but I take it all back because I've pondered over this and I've gone over and over it and I've thought about it and you know what, I actually cannot imagine anyone else in that part, I just can't. And if nothing else she's proved she's so much more than Hermione Granger. In Perks Emma is so far away from beng Hermione that she's not even a speck on the horizon. I guess there's always a worry, a danger, becoming so well known for playing such an adored character at such a young age that you'll be typecast, that for Emma she'd always be Hermione. Not gonna happen. What she's done here is put herself out there as one of the great talents of her generation, we have some phenomenal Bristish actresses and I think it's safe to say Emma Watson can count herself among them [side note: she's so beautiful, like breathtakingly so.]
All in all, I loved this film, really loved it. I can't wait for the DVD.